Performance scores, songbooks and hymnals printed short run, with thread-sewn binding that lies completely flat on the stand — hands free, page after page.
A score that won’t stay open is a score that gets in the way. Whether it’s a choral set propped on a music stand or a piano tutor resting on the keys, the binding has to do one thing without fail: lie completely flat and stay there.
We print performance scores, songbooks, hymnals, tutor books and exam material with thread-sewn binding as standard for anything that needs to live on a stand. Thread-sewn sections open flat across every spread without hands, clothes pegs or a cracked spine. For thinner scores and part sheets, saddle-stitch keeps costs low and pages neat. Short runs make niche repertoire viable; fast reprints keep best-sellers in stock.
Full scores and individual parts for orchestral, choral and chamber repertoire. Thread-sewn binding that opens flat on the stand; high-opacity paper so notation stays crisp and ink doesn’t bleed through.
Congregational hymnals, song collections and worship books that survive years of weekly use. Thread-sewn for durability and lay-flat convenience; durable covers that hold up to constant handling.
Graded instrumental tutors, theory workbooks and exam syllabus material. Reliable lay-flat binding so students can follow along without a free hand to hold the page.
Thin exam booklets and individual pieces where saddle-stitch keeps the format neat and economical, and short runs keep niche grades commercially sensible.
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Perfect binding (glued spine) never opens fully flat and tends to crack under repeated use — exactly the wrong outcome for a score that lives on a stand. Thread-sewn binding stitches pages into sections before the book is assembled, so every spread opens completely flat and stays open without assistance. For music publishers, that’s the functional requirement that overrides everything else.
Saddle-stitch (staple-bound through the spine) is ideal for short scores, individual parts and exam booklets — typically under 64 pages. It’s economical, lies reasonably flat when open, and keeps thin publications neat and compact. For anything thicker, or anything that will be used heavily over time, thread-sewn is the better choice.
An uncoated stock with good opacity — typically 80–100gsm — so notation prints sharply in mono without ink bleeding through to the reverse. Coated stocks can work for colour covers, but uncoated is the standard for music interiors: it reads well under artificial light, takes a pencil annotation, and doesn’t glare on a music stand.
Yes — short runs are where we’re most useful to music publishers. Niche repertoire, limited editions and exam material often can’t justify large print quantities, so starting from around 25–50 copies keeps the investment manageable. We hold your files ready, so when a title sells through, a reprint is quick. Get a quote for your specific run and spec.
Yes. We barcode the cover from your ISBN and offer a free ONIX metadata export so the title is ready for your distributor and the book trade as soon as it’s off the press.
Can’t find your answer? See our 73-question book printing FAQ for detail on file prep, binding, paper, turnaround and shipping.
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